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	<title>Shadows of the Apt &#187; History</title>
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		<title>Language and the Insect-Kinden</title>
		<link>http://shadowsoftheapt.com/blog/272</link>
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		<pubDate>Sat, 10 Apr 2010 23:40:20 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
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		<description><![CDATA[Language tends to get one of two treatments in fantasy — either it's never looked at, everyone speaks English and it's all fine, or Tolkien. Mr T being a professor of Anglo-Saxon, I think, he went to town on the languages in a big way. Indeed I believe I read that the languages came first, [...]]]></description>
			<content:encoded><![CDATA[<p>Language tends to get one of two treatments in fantasy — either it's never looked at, everyone speaks English and it's all fine, or Tolkien. Mr T being a professor of Anglo-Saxon, I think, he went to town on the languages in a big way. Indeed I believe I read that the languages came first, the history second, the actual fiction some time later. Few writers have the time, fewer still the formidable scholarship to emulate, but there are a fair number of fantasy worlds where it is at least acknowledged that the elves speak elvish, although for ease of reference everyone except the humans seems to be effortlessly polyglot. The Fellowship of the Ring would have been extremely different without a common language between them, after all (1).</p>
<p>In the world of the Insect-kinden, all the kinden share a language (2). There is, however, a Reason for this. It's not just that I couldn't be bothered, honest. However, I'm feeling perverse enough not to simply explain, so I will content myself by pointing out that this remarkable commonality of language has not gone unnoticed by the clever men and women of the Great College. To give you an indication of their current thoughts on the subject, I have swiped an itinerary from one of their conferences, which I present for your delectation <a href="http://shadowsoftheapt.com/wp-content/uploads/2010/04/The-Second-Annual-Collegiate-Symposium-on-the-History-of-Language.pdf">here</a>.</p>
<p>For reference, this conference is taking place somewhere around the same time as book 5, which is actually important. The keen-eyed may wish to speculate on the import of some of the lesser items in the schedule too…</p>
<p>(1) The film <em>The Thirteenth Warrior</em> at least acknowledges this problem, with the arabic hero having to work hard to pick up the speech of the vikings he ends up accompanying, after an unpromising start where his servant manages very basic speech using mangled latin and greek. Whether you go for the linguistic montage the film lands us with, at least it admits to language as a barrier. (In Crichton's original book, <em>Eaters of the Dead</em>, the hero never really does learn the language, but gets by because one of the vikings speaks latin.)</p>
<p>(2) This isn't English, of course, but your humble author has kindly translated.</p>



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		<title>Faculties of Literature</title>
		<link>http://shadowsoftheapt.com/blog/164</link>
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		<pubDate>Wed, 14 Jan 2009 20:13:29 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
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		<description><![CDATA[Literacy in Collegium is close to one hundred percent. Indeed, literacy across the Lowlands is extremely high. Collegium's academic credentials have a lot to do with this. The College and the Assembly ensure that a basic education is available for all, and charitable institutions such as the Way Brothers provide schools in Helleron and other [...]]]></description>
			<content:encoded><![CDATA[<div><span class="098012810-13012009">Literacy in Collegium is close to one hundred percent. Indeed, literacy across the Lowlands is extremely high. Collegium's academic credentials have a lot to do with this. The College and the Assembly ensure that a basic education is available for all, and charitable institutions such as the Way Brothers provide schools in Helleron and other cities. However the root of all this is in truth with the Moth-kinden, once Collegium's masters. They themselves have a long tradition of literacy and education, and they ensured that their favoured servants, the Beetle-kinden, were also able to read and write, in order to perform the relatively elevated tasks the Moths demanded of them. This intellectual emancipation, of course, is one of the contributing factors to the Beetles' great revolution. Other slave-kinden of the Moths were not educated in the same way, but the concept, the idea of knowledge as a mark of privilege and power, was deeply ingrained in them and, once free to do so, the Ant-kinden and others pursued the written word with a grim determination.</span></div>
<div> </div>
<div><span class="098012810-13012009">In the Spiderlands, the Spiders themselves have always been literate and, for reasons akin to the Moths', so have their closer servants. Beyond the immediate circles of the Aristoi, however, standards vary from satrapy to satrapy depending on the preferences of the subject races. The Empire has a similar policy. Wasp-kinden are expected to be able to read and perform basic arithmatic, and slaves are often trained to do so, so as to take over those more educated tasks that Wasps themselves still consider demeaning.</span></div>
<div> </div>
<div><span class="098012810-13012009">Meeting this largely literate population is the printing press and moveable type, innovations that the Beetle-kinden have had for almost two centuries now, as well as the ability to produce relatively cheap paper. These Apt contributions merge with a longer-standing tradition that places high value on story-telling, music, dance and the dramatic arts, and result in an extremely rich intellectual landscape across the Lowlands and beyond.</span></div>
<div> </div>
<div><span class="098012810-13012009"><span style="text-decoration: underline;">Theatre and Drama</span></span></div>
<div> </div>
<div><span class="098012810-13012009">Traditional theatre for the Beetle-kinden generally consists of farce with a healthy dose of topical satire. There are more and less highbrow versions, with varying injections of music, but an evening at the theatre in Collegium or Helleron is generally not complete unless a major statesman is lampooned and someone is caught in flagrante with a man in drag. However the Beetles are also great importers, and they will happily pillage any other artistic traditions they can get their hands on.</span></div>
<div> </div>
<div><span class="098012810-13012009">The Mantis-kinden set great store by oral tradition, and their preference is for either solo instrument or unaccompanied voice. They tell stories and sing sagas which almost always revolve around the tragic history of some hero or other, who sets herself up against the world, fails owing to some flaw, makes a horrible mess of everyone's life and then dies trying to redeem herself. Mantis tragedies are sometimes ripped off by Beetle dramatists, creating a whole new mongrel style of theatre, full of speeches and bloodshed. The Mantids themselves seldom attend.</span></div>
<div> </div>
<div><span class="098012810-13012009">Also popular are plays in the Fly-kinden style, which traditionally centre about the escapades of a rogue, wanderer or similar lowly individual, who falls in love, gets embroiled in the schemes of his betters, plays tricks and escapes with his hide intact. The Flies usually poke fun at larger kinden (when these are performed in their native settings, Fly actors don outsize clothes and take to the air to impersonate other peoples), but their stories also often have a curiously melancholy feel. The rogue gets away unpunished, the rich and powerful are usually humiliated, and yet at the end of the play they are still rich, and he's still poor, and there is a sense that the hapless protagonist must run twice as fast just to keep what little he has.</span></div>
<div> </div>
<div><span class="098012810-13012009">Ant-kinden plays simply do not travel, being chorus-heavy pieces "performed" mostly in the internal speech of the Ants' mindlink, and whilst the Moths have a considerable tradition of mystery plays, tragedies and philosophical pieces, they are sufficiently opaque that the Beetles tend to find them incomprehensible and dull.</span></div>
<div> </div>
<div><span class="098012810-13012009">The grandest dramatic traditions are those of the Spider-kinden, who are perhaps the keenest exponents, and consumers, of the dramatic arts. There are a number of distinct genres within the Spider theatre, including revenge plays and complex mime pieces with mirrored romantic and political plots but the Spider drama that travels best is their 'naif' dramas. These generally involve a Spider Aristos travelling amongst foreigners, or some far satrapy of the Spiderlands (or sometimes coming home after long foreign travels), becoming involved in their feuds, being manipulated by the local players, and often falling in love. Many of the naif dramas are through-sung, and they span a range between deep tragedy and light comedy. </span></div>
<div> </div>
<div><span class="098012810-13012009">It is notable that much of the dramatic tradition of the kinden can be seen as a way of the author turning the mirror on her audience. Mantis heroes are almost invariably failures, by the strict tenents of Mantis honour, and it is their fall that creates the story. Beetle stories punish the guilty and the pompous, and Fly plots highlight the inequality and impotence that their kinden often face amongst others. Spider-kinden drama, and most especially the naifs, generally centre upon an agonist, or pair of agonists, who are genuinely pure, honest and guileless, and who weather the vicissitudes of the world because of it.</span></div>
<div> </div>
<div><span class="098012810-13012009"><span style="text-decoration: underline;">Literature</span></span></div>
<div> </div>
<div><span class="098012810-13012009">As well as being a melting pot of dramatic art the Beetle-kinden have sparked something of a revolution in literature. Whilst the Moths and Mantids cling to their hand-written scrolls, printed Beetle books are becoming popular everywhere else. Even Spider-kinden, who set such store by elegant handwriting and calligraphy as an art form, are not immune to the lure of mass-produced literature. Spider-kinden, in common with many of the Inapt, tend to prefer live readings (after all, what are literate slaves for?) but they have always had a fondness for reading poetry in private, and the printing presses have ensured that many a Collegium parlour has witnessed a Beetle raconteur mangling Spider verse. The Beetles themselves, however, are prolific in producing home-grown prose, inventing their own genres in a field that is constantly developing. The idea of reading for pleasure is relatively new but has grown riotously over the last few decades to become fashionable and popular at many levels of society. Whilst there are books printed immaculately on vellum, inlaid with gold and with manual illustrations, these are chiefly for export. Collegium's home market craves variety and quantity, and the books produced are made in bulk as cheaply as possible. </span></div>
<div> </div>
<div><span class="098012810-13012009">The current popular genres that throng Collegium book-sellers are:</span></div>
<div> </div>
<div><span class="098012810-13012009">Polemics — political tracts, usually presenting their point by allegory, often using animals to represent public figures. These are usually very short, illustrated with unflattering woodcuts and printed by the hundred on hand-cranked presses. They are usually to be had for free. Polemics have long played a small but influential role in political debate, and it is common for rivals to sponsor derogatory polemics about each other. However the very ubiquity of the polemic has lessened its impact, and these days even the most vitriolic pamphlet is unlikely to do a great deal of harm. Instead a new tradition of comic polemics with less of an axe to grind is slowly taking over. Polemics are universally anonymous, for obvious reasons. Reprinted collections of past polemics are becoming a popular item.</span></div>
<div> </div>
<div><span class="098012810-13012009">Romances — purportedly historical tales, usually set before (or during) the revolution, rehashing Spider naif opera, Mantis tragedy and actual history in order to produce stories full of blood and thunder. The current favourites include <em>The Tragedy of Lystresae, Lucis and Lucea </em>and<em> Tarvaeos the Charlatan, </em>all solid faux-histories of the Bad Old Days. In the last few years a new brand of romance has emerged set after the revolution, featuring Beetles, Ants and Fly-kinden rather than the old Inapt races. The reading public is so far unsure about these experiments, the one notable success being <em>The Lay of the Bloodfly</em>, unusual in that it glorifies the exploits of a pirate active off the Collegium coast only a generation ago. Romances are traditionally anonymous, the writer identified by, for example "A Gentleman of Seldis" or even "One Who Was There". It is widely believed that this is because the majority of romanticists are current or retired academics, who would not want to prejudice the reputation of their factual writings.</span></div>
<div> </div>
<div><span class="098012810-13012009">Sophistories — philosophical satires which use devices such as the "journey to a land where everything is done backwards" to send up and highlight societal problems. They make for elevated reading, and the satire is sufficiently disguised that a stranger to Collegium can happily read the story and take it for nothing but a very highbrow example of the genre below. The best known sophistories are certainly <em>The Flea-kinden </em>by Knowles Sarter, in which the unnamed protagonist is shipwrecked on an island inhabited by tiny people, and Damall's <em>An Artificer's Voyage to the Moon, </em>whose hero finds lunar cities of goat-kinden, horse-kinden and sheep-kinden whose bizarre societies are reversals of the Lowlands' own.</span></div>
<div> </div>
<div><span class="098012810-13012009">Awful Books — this is an emerging genre less than a decade old, differing from romances in that the settings are usually contemporary, though almost always somewhere exotic (and/or made up), and differing from sophistories in that they have no pretense to satire or social commentary, offering only cheap spectacle. The name was originally intended to denote books that inspired awe and wonder but the alternative interpretation is, say the serious academics, entirely just. The premise of an Awful Book is that the author is recounting his travelogue in some distant land, perhaps amongst the Moth-kinden, in the Spiderlands, or in some unheard-of place altogether. The hero, almost always a Collegiate Beetle to date, and generally accompanied by some manner of servant or colleague, has various escapades, meets lunatic magicians, evades dangerous animals, acquires dubious treasures, meets beautiful foreign princesses and discovers lost cities, and all in all has a high old time in a way that would make the sophistory protagonists green with envy. Some of these books are simply adventures, others are written to evoke horror, or involve complex principles of speculative artificing. The genre is yet young, and read mostly by students at the Great College, artificiers' apprentices and the like, but its appeal is growing. The universal rule for Awful Books is their claim to be true accounts, and it is likely that a number of genuine travelogues have been consigned to this category by their readers, or indeed their printers. The original inspiration for works such as these, of course, is the story of (NAME), a pioneering aviator whose revelations of the Spiderlands (some of which at least were later found to be true) were taken as, and widely printed as, fiction on his return to Collegium.</span></div>



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		<title>Their Nourishmente</title>
		<link>http://shadowsoftheapt.com/blog/125</link>
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		<pubDate>Sat, 27 Sep 2008 21:09:06 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
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		<description><![CDATA[A number of people have been on at me with eminently sensible questions about everyday details of the lives of the kinden, and mostly of the “where does everything come from, if it’s insects all the way?” kind. Hence, whilst this entry won’t be the most fiercely enthralling for lovers of swordplay and the clashes [...]]]></description>
			<content:encoded><![CDATA[<p>A number of people have been on at me with eminently sensible questions about everyday details of the lives of the kinden, and mostly of the “where does everything come from, if it’s insects all the way?” kind. Hence, whilst this entry won’t be the most fiercely enthralling for lovers of swordplay and the clashes of empires, it will fill in a few gaps concerning what people eat and what they wear. This should be of added use to those several who have expressed the idea of putting together a role-playing campaign in the world of the kinden, as it will give them something to put in that large part of the equipment list that nobody looks at or buys from (1)</p>
<p>The following is good for agriculture around Collegium, with notes on the Lowlands and sometimes elsewhere. Empire agriculture is not much different, although less mechanised and more primitive in many provinces.</p>
<p><strong>The vegetable</strong></p>
<p>The major field crops around Collegium are barley, olives, cotton, and vines, followed by durum (wheat). Collegium benefits from a good expanse of flat, rich land laid down as the river flooded and contracted over the centuries on its way to the bottleneck estuary between the cliffs. The broad expanses of farmland radiate from tributary villages that encircle the city, but Collegium also trades for a fair proportion of its food and the Assembly husbands large foodstocks, especially after the Vekken siege a generation ago showed how very vulnerable their farmland was to burning and pillage. Vegetables and herbs are grown on small plots within or immediately outside the villages. The former play a relatively small part in the Collegiate diet. The latter are mostly for medicinal purposes, for infusions in hot water or alcohol, or for pipe-smokers. Fruit orchards are the preserve of the most prosperous of farmers, or for the country residences of wealthy citizens. Collegium imports more fruit than it grows. One feature of Lowlands agriculture that is absent from the city and its holdings is the mushroom farming that Ant-kinden engage in. Domesticated ants are quite capable of sustaining a mushroom-farming operation with a minimal supervision, and the Ant-kinden have developed numerous strains, for flavour and texture. In an Ant city, most of what appears to be meat on first inspection is in reality fungus, and each city has its own varieties, which are a leading export.</p>
<p><strong>The animal</strong></p>
<p>Of course it’s not entirely true that it’s “insects all the way,” as mankind has preserved certain species of large vertebrate from the cull. Where the land is not favourable to crops one can find goat-herds and shepherds tending their flocks, or horses out to pasture. Alongside these are a number of beetle varieties, most notably longhorn beetles (favoured for their meat), chafer beetles (for their superior chitin) and load or draft beetles (as beasts of burden). More common than any of these is the apherder and his flock, however. The meat of aphids is sweeter and more tender, and of course there’s always the honeydew.</p>
<p>Most herdsmen keep on hand a couple of painted-lady beetles to keep their beasts in line, whichintelligent and loyal animals are also seen within the city as guard animals, although they are somewhat too forthright to make good pets. Instead, the wealthy in the city make do with diminutive jewel beetles, the breeding of which is a fiercely competitive sport amongst collectors, and the flying, furred animals known as felblings, which subsist on very small inscets and, if not kept lashed and usually inside, would swiftly become the repast of larger ones. Semi-feral ground beetles are also common in villages, and in warehouses in the city, and play a major role in keeping down vermin such as roaches and weevils. By far the most common pet, though, rich or poor, urban or rural, is the humble cricket. House-crickets are docile and affectionate, and their song is well known to bring calming sleep, Fighting crickets, on the other hand, are proud, fierce and a major source of gambling debts. </p>
<p><strong>Good eating on one of those</strong></p>
<p>Lowlands bread comes in three varieties. There is barley-bread for the poor, and wheat-bread for those that can afford it. Beyond this, there is Ant-bread, which is yeasty and extremely filling, good in that it can keep an Ant-kinden soldier marching all day, bad in that it gives rise to plenty of Beetle jokes about Ant flatulence. Dried fruit is a staple of Lowlander diet, far more so than fresh fruit which is strictly seasonal. Many of the Collegium vinyards are specifically for the provision of dried grapes, and the <em style="mso-bidi-font-style: normal;">terroir</em> of a raisin is debated by connoisseurs almost as much as that of a wine. Fresh fruit, as noted, is expensive and hard to come by.</p>
<p>Meat comes in four varieties. Smallmeats are concoctions, often pickled, candied or highly flavoured, of little insects, spiders or similar invertebrates. Like the fresh fruit these are fancy foods, served by the rich as appetisers, and greatly favoured by Spider-kinden. Softmeat refers to goat, sheep or horseflesh, which is more expensive and less efficient to rear that the alternative, but which is reckoned a finer delicacy. Hardmeat is beetle or aphid meat, so named because, although it is inferior fresh, it can be dried to a satisfactory jerky and so makes standard meat-rations for any soldier or traveller. Finally there is fish, which ought to be a staple part of the Collegiate diet given the city’s coastal aspect. Instead the Beetles are oddly snobby about fish, and despite the fact that Fly-kinden and Spider-kinden are very partial, they themselves disdain it, finding it fit only for the very poor (who catch their own) and for foreigners who don’t know any better. The root of this is that the Moth-kinden, who were once the masters in Collegium, have never had a taste for fish, reserving it only for their slaves. Once free, the Beetle-kinden have maintained a strong prejudice concerning the social implications of eating fish.</p>
<p>Honeydew, harvested from aphids, is the standard sweet, whether crystallised, used in cooking, or as a drink. Honey itself is less common, as Collegium’s apiarists are not overly skilled, but imported honey from the Spiderlands (and more recently from the Empire) is much prized. </p>
<p>There is a good quantity of milk and cheese, both almost uniformly from goats, and Collegium exports astonishing quantities of olive oil (and, indeed olives), which is nowhere made finer or purer. Finally, alongside the imported Ant mushrooms, there are a profusion of eggs in a variety of shapes, colours and sizes that any visitor from our world would find frankly disturbing. These are insect eggs, of course, and aside from their species of origin the kinden divide them into “new eggs” and “old eggs”. New eggs are freshly laid, the contents mostly liquid and ready to be eaten like a soup after the egg has been mildly heated and cracked open. Old eggs are harvested and cooked near to their time for hatching. Their contents are meaty, to say the least, and the eggshell itself is entirely edible, and very tasty too. Highly recommended.</p>
<p><strong>And from the wine list</strong></p>
<p>In Collegium they drink wine, vast quantities of it, and watered. Unwatered wine is for madmen and Mantis-kinden, who are half-mad to start with. The Beetles are very serious about their wine, so that one can’t throw an empty bottle without hitting at least one self-proclaimed expert ready to bore the shoes of everyone else at the dinner table over any vintage’s merits and heritage. Beer is not a Collegium drink, but Fly-kinden are extremely fond of it. Fly beer would, to our palates, taste extremely odd, and indeed the Lowlands and imperials together have a very sweet tooth when it comes to alcohol. Dry wine is more often found in the south, in the Spiderlands, or north in the Commonweal. Spirits are also common, and generally divided into three categories: grain spirits are harsh, tasteless and are either cheap and lethal or horribly expensive when the fashion sporadically sweeps the well-to-do. “Wine spirits”, fortified wines, are well-liked, and another of the city’s most noted exports, especially to the Ant-kinden who have no vineyards of their own worth mentioning. Herb-spirits is a catch-all term for grain alcohol mixed with fruits or herbs to flavour it, and there are hundreds of different varieties, probably as many as there are Beetle farmers who can construct a still. The serious and educated drinker, in search of variety and strength in perfect combination, is likely to be a devotee of herb spirits. Beyond this, of course, there is mead, which is not so popular amongst the Beetle-kinden as it is in the Empire, or amongst the Mantids. More common is dew-mead, from fermented honeydew, which is reckoned more pleasant and less potent, and is in any event more easily procured. Honeydew is also drunk unfermented, and the Beetles have known how to filter fresh water since before the revolution. Hot drinks include a plethora of herbal infusions, some of which claim medical benefits, although the College is ruthless in debunking “the remedies of the Inapt”. A recent luxury to reach the city is drinking chocolate, which is fantastically expensive, utterly elitist, and wholly mysterious in its origins, save that it comes from somewhere deep in the Spiderlands.</p>
<p><strong>The Emperor’s new clothes</strong></p>
<p>Collegium or Helleron cotton, machine woven to an exacting standard, is sought after everywhere, and the Beetles produce a number of other plant-based fabrics in heavier forms, up to the stout canvas used by artificers. Chitin can be worked and moulded into almost any form imaginable, although the boiling and treating process is more laborious than it is even for leather, and the end result must be taken care of to prevent it becoming brittle. Chitin, once common in armour or as a building material, is now rare in Collegium, but perversely their beetle herds produce the very best, and so despite its absence from the locals it remains a strong export. Leather is from horses (so-called “hard leather”) or goatskin (“soft-leather”). Sheepskin is not common, nor is mutton, for sheep are kept mostly for their wool.</p>
<p>Silk is a major import of Collegium, especially since the airship trade got, so to speak, off the ground. Whilst the grubs of some herd beetles do produce silk, it is a lamentable inferior material, and countless yards of silk are imported from the Spiderlands, where the best is to be had at a price. The Moth-kinden also produce silk of good quality, as well as fur and the iridescent, decorative scales from their beasts’ wings, but trade with the Moths is a tentative and unreliable business. Moth-fur is an expensive luxury for this reason and, despite the greater distances, it is easier to procure bee-fur from the Empire or the Spiderlands, or from the remote western coast.</p>
<p>Finally, although not exactly relating to clothes, Collegium is of course a great consumer of paper. When the Moths ruled this was a species of papyrus, made from interwoven reeds and then treated to grant it greater smoothness and longevity. As an alternative, sheepskin or goatskin vellum would be used for important documents. The Beetles themselves have had papermills for centuries, making good-quality paper from wood-pulp. However recently the paper markets have encountered a new supply of paper of a quality that rivals the milled kind, and is in very plentiful supply at its point of origin. The source? Why, where else does one go, for paper, but the Wasps? One of the benefits of an imperial occupation would therefore be an inexhaustible supply of good-quality, cheap paper, only you'd have to be very careful what you wrote on it.</p>



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		<title>Flies and Prejudice</title>
		<link>http://shadowsoftheapt.com/blog/113</link>
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		<pubDate>Tue, 12 Aug 2008 19:00:47 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
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		<description><![CDATA[One of the reasons I’m so in awe of Gene Wolfe is the amount of very scholarly debate inspired by his work. Now, I’m not in his league when it comes to utterly, intricately baffling (1) writing, but hola, what’s this? Following the review at Eve’s Alexandria (an extended version of the earlier SFX magazine [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">One of the reasons I’m so in awe of Gene Wolfe is the amount of very scholarly debate inspired by his work. Now, I’m not in his league when it comes to utterly, intricately baffling (1) writing, but hola, what’s this? Following the review at <a href="http://evesalexandria.typepad.com/eves_alexandria/2008/08/hot-moth-on-bee.html" target="_blank" onclick="urchinTracker('/outgoing/evesalexandria.typepad.com/eves_alexandria/2008/08/hot-moth-on-bee.html?referer=');">Eve’s Alexandria</a> (an extended version of the earlier SFX magazine review I believe) we have the first analytical comment, which leads me neatly on to…</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Race and prejudice in the world of the insect-kinden? And the answer is Yes.</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">There are fantasy settings where everyone and everything is <em>nice</em> until the Dark Lord shows up. However, even in such settings you still tend to find plenty of social stratification and division of labour between classes, nations and races/species, but it passes without comment: the rich man in his castle, the poor man at his gate, and it’s all perfectly lovely until those darned orcs (3) showed up rocking the boat, taking our jobs, leering at our women and wanting to live somewhere there wasn't a volcano.</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Inequality and injustice amongst the insect-kinden, then, and by the bucket-load. The Emperor of the Wasps may not be Mother Theresa (4) but neither is he the be-all and end-all of evil. There’s plenty of evil to go around, large and small, overt and covert.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">With <em>Empire</em> and its sequels I want to dig deep into that particular vein. It’s a topic that fantasy fiction is particularly well-placed to examine, after all: invent the world and you invent the rules, and so you can explore real-world issues with greater freedom than a book set in the actual real world. Fantasy has always been one of the traditional refuges of satirists – <em>Gulliver’s Travels</em>, for example, or <em>Erewhon</em>.</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Social injustice (see the Steampunk diatribe <a href="http://shadowsoftheapt.com/blog/106" target="_blank">here</a>) is one thing, and for that it doesn’t matter if your Empire is Wasp, Roman or British. The Beetle-kinden are arguably the most enlightened kinden by our standards – after all they have humanitarianism, democracy, scholarships for the poor – surely they’re the touchstone for virtue? But in the interactions between the Collegium masters and magnates, and much more so when you get to the grime of Helleron, it’s easy to see that the Beetle-kinden have a far from perfect society – their elected Assembly is crammed with merchants and the idle rich (5), and haven’t you noticed, in a world which is by no means male-dominated, how many of the leading Beetles seem to be <em>men…</em> Perhaps the best that can be said for Stenwold’s kin is that they’re working on it. </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Beyond their ivory towers, plenty of the other races indulge in the most open form of social injustice, slavery. Because of the focus of <em>Empire</em> the Wasps are the most obvious offenders, with their subject nations drafted to serve their war effort. It’s plain, however, that their slaver society is not purely fuelled by foreign import, as the case of the unhappy Hreya shows, sold to pay her family's debts. Alongside that, there is sufficient mention of “good family” to show that the Empire, whilst young, is already developing the hereditary divisions between “those who rule” and “those who obey”.</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">And of course there are other slavers: most of the Ant-cities, and of course the Spider-kinden, and there are other divisions as well. In <em>Dragonfly Falling</em> a little more light is shed on the Spider-kinden, the enormous divide of wealth and power between their Aristoi and their Hoi Polloi. However…</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">The division of the kinden themselves cuts deeper lines into the landscape, and (as Nic points out) this is another kind of social divison – the kinden are all human, after all, (for a given value of human, as Pratchett might say). Their adherence to their various totems has drawn each kinden away from the others, until each is far more distinct from each other than neighbouring tribes, or even nations, but the differences in physiology are exaggerated, in their minds, by the perceived differences in culture and character. Each kinden stereotypes the others (6), and yet I’ve done my best to clutter the books with individuals who are clearly far from the supposed benchmark, and who suffer under the prejudice of those around them: everyone knows that Spiders are deceitful (7), that Wasps are aggressive, and that Flies are shiftless, larcenous cowards. Except that there are honest Spiders, kindly Wasps, courageous Flies even (8)(9). Except that the greatest divisions between the kinden, the ones wars are made of, are carried on now solely because they’re there, just like so many cultural divisions in the real world. The Ant-kinden city-states are enemies because, after so long <em style="mso-bidi-font-style: normal">being</em> enemies, each cannot risk proffering the hand of friendship for fear of being taken advantage of, and so they live swords-drawn, skirmish after futile skirmish, because it’s easier than trusting. The Mantids hate the Spiders because… well, do they even know? Is there anywhere, outside of the oldest scrolls of the Moth-kinden, that records <em>why</em> they hate them so? And would it even matter? Even if the reason was a good one two thousand years ago, wouldn’t it be stale by now? And yet Tisamon’s people hate, and hate and hate, because to be seen to be not hating, to be (spirits forfend) <em>fraternising</em>, would be the great betrayal, attracting the loathing of your kin, exile from your home. And then there are the Beetle-kinden and the Moths, whose enmity doesn’t perhaps run quite to plan, because the Moths (of Tharn anyway) hate the Beetle-kinden for what was taken from them, their great dominion of the Days of Lore stripped from them like a robe. The Beetles, on the other hand (and with the exception of certain Helleron mine-owners), in spite of a millennium of slavery when the Moths were their overlords, view their former masters with a certain bemusement. If they would only come down from the mountains and just <em>take part</em>, then surely everyone would be happy, no?</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">But of course they can’t, and here we get onto what the posts identify. The Aptitude gap.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">It’s not unique in fantasy to have races that can, and that can’t. Often there is a mystic race with a magic power that the plot focuses around, and the bulk of the book’s population will lack that power, and be hostile and unpleasant about it, despite the fact that the power is the only thing that can possible defeat the Bigbad. There will be a race that is the sole custodian of the Old Magic. Or maybe there will be a bloodline, royal or otherwise, that is the only heritage that can awaken the Runespork and defeat the DragonGripe Doomlord. Perhaps one individual prince has a destiny, and if he doesn’t do it, nobody can. Is it any less inequitable when it’s not a race but a family, a blue bloodline? I’d say the fascism, the chosen-race-ness of it all, is the same either way. Of course, as the prince/family/last scion of the elder race is usually the focus of the book, and a terribly decent chap/gal to boot, one never quite sees the inequality, because we’re on the inside looking out. What about all those poor bastards who did their level best to defeat the Gripelord of Wunderbrar, and had absolutely everything going for them except a Destiny? Why then it’s just like Young Siward bearding Macbeth on the battlefield, after all: “Are ye born of woman, laddie?” “Er, yes, why do you ask…?” HACK! </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">And so (by a rather circuitous route) to Aptitude, the Big Division. Because there are kinden that Can, and kinden that Can’t (and depending on what you’re taking about it will determine which kinden line up on the Can side of the barrier). The Apt kinden are on the up, the Inapt kinden are declining, but’s that’s okay, because they have their <em>spirituality</em>, so that’s all right then.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Except it’s not all right. Of course it isn’t. Even without the Empire it’s plain that at some point the mining barons of Helleron are going to decide that it’s more cost effective to deal with their Inapt neighbours by force, and at the rate the artificers are changing the face of warfare, how long before even the Mantis-kinden find that they’re set to go the way that the flower of chivalry of the Commonweal went, when the Wasps brought their flying machines and automotives against them. </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">So, is it down to this? Even though there are many kinden lined up at either end of the pitch, has it come down to “white men can’t jump?”</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Now I’m going to answer this in two opposite ways, so witness the equivocational gymnastics carefully (10).</span></span></p>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Firstly, and why not <em style="mso-bidi-font-style: normal">vive la difference?</em> If tribes and nations cannot have distinct traits and capabilities in fantasy, then where? Fantasy fiction has giants and orcs and elves and dwarves and dragons, and surely they don’t have to all be the same under the skin? If that’s the criterion then I’m royally screwed already because the Flies fly and the Ants don’t. The kinden are divided and defined by their Art – but they’re all human nonetheless, no more or less human for their spines or their claws or their ability to manifest wings. </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">But that’s not (I hope that’s not) the point being made. Aptitude, as opposed to the variegations of the Art, is a <em style="mso-bidi-font-style: normal">mental</em> division, and those are the harsh ones, because you can’t see the difference, or lack of same, and therefore it’s open to that eternal hobgoblin, interpretation. Lord knows there has been some extremely disreputable psychological research into the “intelligence” of real world ethnic groups. This is (as goes without saying, one hopes) not the sort of thing I'm trying to pull. I have no ethnic axe to grind.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">But the Apt/Inapt division is there, and it's real, and it's a large part of what the book, and more particularly the wider series, is about. The broadest way to characterise it is to say that the world of the supernatural is closed to the Apt, whereas the world of the mechanical is unknowable to the Inapt, but there are dozens of other, less obvious ways in which the two sides of the insect soul fail to meet.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Therefore, <em>emo ergo ego</em>, the division is real, and where does that leave us?</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Well, the series is called “Shadows of the Apt” for a reason. Aptitude is <em>important</em>, to the plot and to the world. It's a multi-faceted two-way mirror with hidden depths (11) and you can be sure I’ll take my own sweet time about explaining why.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">So much for firstly, so, secondly:</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Just how immutable is Aptitude? After all, all Moths are Inapt, yes? And every Beetle is Apt, and never the twain shall meet? And what about Fly-kinden, so often overlooked? Apt, or Inapt? Because matters are neither as simple or immutable as they might seem. How impossible is it for that comprehension to come, of gears or of geases? </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">So, to round off, and inspired by the Alexandrian review structure, some quotes. The first is from <em style="mso-bidi-font-style: normal">Empire in Black and </em>Gold:</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;">‘There were a few exceptions, as always… itinerant Beetle scholars going native deep in the forests of the Mantids, propitiating spirits and painting their faces, and fifty years ago there had even been a Moth artificer at Collegium, brilliant and half-mad.’</span></span></span></em></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></em></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">but for the second I’ll allow myself the smallest spoiler, because it’s important: a tiny excerpt from <em>Dragonfly</em> on the subject of Aptitude:</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;">‘“Magic, Gjegevey?”</span></span></span></em></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1">            </span>“Ah, well, my own people have uncommon views,” he told her… “You did not know, I believe, that many of my kinden are Apt. We study mechanics and the physical principles of the world, although in truth we build little, and that must be from wood in the main, metal being hard to come by in our homeland.”</span></span></span></em></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="mso-tab-count: 1">            </span>“I did not know that,” she admitted. “And so, I would guess, that you cannot help me.”</span></span></span></em></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span style="font-size: small;"><span style="font-family: Times New Roman;"><em style="mso-bidi-font-style: normal"><span lang="EN-GB"><span style="mso-tab-count: 1">            </span>“Ah,” he said, pedantic as a librarian. “Ah, but yet many of my kinden are </span></em><span style="mso-bidi-font-style: italic" lang="EN-GB">not</span><em style="mso-bidi-font-style: normal"><span lang="EN-GB"> Apt and have no gift for machines, and yet follow other paths, the physical principles of the world and so forth and so on, that some might call magic. And so you see, we are in something of a unique position, my kinden. For we are not surging forwards into the, progress of the world of artifice, nor are we clinging grimly to the darkness of the Days of Lore. We are… in balance, I suppose one might say. And these two halves of our culture, they are not two halves at all, for each tries to share its insights with the other, and just occasionally some gifted man or woman of our kind can understand the both…”’</span></em></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(1)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">Originally written “baggling”. I have no idea what “baggling” might be (2) but it must mean <em style="mso-bidi-font-style: normal">something.</em></span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(2)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">Having never baggled.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(3)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">I always wondered if the Oxbridge Mr T's root of ‘orc’ wasn’t ‘oik’…</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(4)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">Still the touchstone of virtue apparently, or at least the cliché I always seem to fall back on when needing to contrast with someone nasty. One of these days the nasty <em>is</em> going to be Mother Theresa, and then you’ll be sorry.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(5)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">And Stenwold Maker himself seems to have a ready supply of money, does he not?</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(6)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">And stereotypes itself as well, of course. How else to impose internal conformity? Mantis-kinden are especially guilty of this.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(7)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">And yet they’re so damned charming that you never think about it when they talk to you.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(8)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">Achilles, if I remember this correctly, asked to be given the courage of a fly, on the basis, I think, that a fly (one assumes the biting variety) takes on an enemy vastly greater than itself without hesitation.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(9)</span><span style="font-family: 'Times New Roman';">   </span></span></span><span lang="EN-GB"><span style="font-size: small;">And the Wasps see things differently, of course. They have their own stereotypes, and it’s worth noting that there are only two other kinden in the Empire that have any kind of civic rights or prospects, and Flies are one. To the Lowlanders, Fly-kinden are an underclass, useful for cleaning chimneys or reaching into the grinding works of machinery. To the savage, oppressive Empire, they’re useful and productive members of society.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-family: Times New Roman;"><span lang="EN-GB"><span style="mso-list: Ignore"><span style="font-size: small;">(10)</span><span style="font-family: 'Times New Roman';"> </span></span></span><span lang="EN-GB"><span style="font-size: small;">Definitely should be the new Olympic sport in 2012. That or Olympic Stadium Finishing.</span></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><span style="font-size: small; font-family: Times New Roman;"><span lang="EN-GB">(11) And mixed metaphors. </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>



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		<title>Spider-kinden</title>
		<link>http://shadowsoftheapt.com/world/kinden/107</link>
		<comments>http://shadowsoftheapt.com/world/kinden/107#comments</comments>
		<pubDate>Sat, 09 Aug 2008 21:34:35 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Kinden]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[spiders]]></category>

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		<description><![CDATA[
Art by David Mumford
The elegant and machiavellian Spider-kinden rule a vast coalition across the sea, where they live in luxury and riches un-dreamt of by Lowlanders, or at least their women rule, and their men do as they're told. Spiders are their own worst enemies, however, and the great Aristoi families are constantly scheming to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://shadowsoftheapt.com/wp-content/uploads/2008/08/ispiders1.jpg"><img class="alignnone size-medium wp-image-109" title="ispiders1" src="http://shadowsoftheapt.com/wp-content/uploads/2008/08/ispiders1.jpg" alt="Spider-kinden by David Mumford" /></a></p>
<p>Art by David Mumford</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal"><span style="mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-GB" lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;">The elegant and machiavellian<strong> Spider-kinden</strong> rule a vast coalition across the sea, where they live in luxury and riches un-dreamt of by Lowlanders, or at least their women rule, and their men do as they're told. Spiders are their own worst enemies, however, and the great Aristoi families are constantly scheming to bring each other down. Those that misstep in the Spiders’ complex dance of intrigue either fall or flee, and the Lowlands is littered with political refugees hiding from the retribution of their enemies.</span></span></span></p>



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		<title>Sacrificed to the Insect God (1)</title>
		<link>http://shadowsoftheapt.com/blog/97</link>
		<comments>http://shadowsoftheapt.com/blog/97#comments</comments>
		<pubDate>Sat, 12 Jul 2008 18:36:32 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
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		<description><![CDATA[Religion and Belief amongst the Kinden
 
They have no gods. This is the first thing. To the certain knowledge of the Lowlanders there are no insect churchs, no spider-priestesses or weevil-popes. Oh, perhaps there are savage peoples at the very edge of civilisation, ekeing out a living in the harsh places that history has left to [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Religion and Belief amongst the Kinden</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">They have no gods. This is the first thing. To the certain knowledge of the Lowlanders there are no insect churchs, no spider-priestesses or weevil-popes. Oh, perhaps there are savage peoples at the very edge of civilisation, ekeing out a living in the harsh places that history has left to them, who cry out to the deaf ears of a non-existant divinity, but, say the Collegiate scholars, look where it got <em>them.</em> The very existance of such wretches, if it were proved, would surely substantiate the otherwise unanimously held belief that there are no gods worthy of the worship.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">But the <em>concept</em> exists amongst them. The simple fact that a well-fed academic of the Great College can murmur, as he lights his pipe, "Well of course it's only the utmost savages that would bother with gods these days," demonstrates that such worship was once known. Where, then are the insect altars, the icons and effigies? One might wonder, at first, whether the old Inapt kinden, the Moths and the Mantids, were the last refuge of the ecclesiastical, but it is not so. Apt and Inapt viewpoints diverge a great deal, when the world of the invisible is spoken of, but neither finds room for anything as large as a god in their philosophy.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">What definition of god is being used here, for certainly the Inapt peoples claim that the world is rife with intangible, supernatural entities? What makes a spirit into a god? In short, in the opinion of Collegiate scholars and Tharen sages alike, worship, reverence. The kinden's definition of a god is an entity that commands worship, and the kinden worship nothing.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Of course it's not that simple. Even aside from the possibility that there are, beyond the brief of Collegium scholars, priests and votaries bending and sacrificing at the sacred places of their unknown sects, there is a certain amount of the lives of the kinden that a observer from our more earthbound world might see at first as religion.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">The Inapt are a case in point. The Moths, the greatest influence on Lowlands mythology, people the world with spirits, ghosts, natural forces that can be bargained with, appeased, commanded. Their relationship with the world of the invisible is an adversarial, masterly one. The most common explanation of the ways of the world, taught to Moth children and the occasional adventurous middle-aged Beetle scholar, is that the world is like woven cloth (2). Mind is like a snarl in the cloth, the pressure of each individual intelligence twisting the weave into a knot, and those skilled in magaic can tug upon the strings of the world around them. Mind is a knot that flies undone at the moment of the thinker's demise… or it does so most of the time. Sometimes the body dies, but the knot remains, held in place by guilt or hate or undone deeds, and thus the world has ghosts gibbering impotently at the edge of the Inapt eye. Sometimes great emotions, fearsome events, bloodshed and ritual, can create a knot where no mind ever was, and so a place, an object, can be invested with power, can become an entity in its own right. Sometimes this is a deliberate act, sometimes accidental, and sometimes arcane concordences decree the random creation of a spirit even without human intervention. Still, this world of spirits is, to the Moth-kinden magi, a resource of the world, as trees to a carpenter or animals to a trapper. </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Those Inapt kinden who are less masters of their own fate perhaps have different understandings. The Mantis-kinden, brooding and sour-minded killers all, guard well their sacred places within their forest holds. There, it is said, they commune more closely than is healthy with their <em>genius</em>, the embodiment of all that is Mantis, and there they conduct murderous rites and rituals, and shed blood in celebration of the world's mortality (3). However, well-fed Beetle scholars are not invited to any such rites (4) and no account of them has reached the College, so perhaps the less said, the better.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">But, to the notional real-world observer, what is this that they see so universally? Is this not surely some religion? Whyfor do the kinden meditate, religiously one might say, upon what must surely be some manner of civic or racial deity? What is it that reaches out and gifts them with flight, with killing spines, with fiery stings? What, in short, is the Art, if not the product of a worldwide polytheistic religion?</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">"It's no such thing," so says the Collegium scholar, and dismisses the anomalous visitor entirely from his mind. The Apt and the Inapt are close in their explanations of the Art, for all that neither is quite able to account for its effects and results. The meditation that all kinden engage in is a personal matter. It cannot be taught, exactly, although in many places there is a whole industry of tutors and facilitators, with tricks and gimmicks to assist their students in their own private contemplations. They share their success rate and professional integrity with consultants in many other industries and many other worlds. The consideration of the Art is an individual matter.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">And yet hereditary, also. Although some Arts are universal within a kinden (a Fly's wings, an Ant's mindlink), careful research has shown that the Arts one's parents attain are those that the child is more likely to manifest, and recent research with halfbreeds seems to have shown this conclusively. But what <em>is</em> the Art, from where does it spring?</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">The insect-kinden believe, and the believe is astonishingly widespread and uniform, in Ideals. Platonic ideals, our notional observer might say, if blessed with sufficient education. As there are beetles, so there is Beetle, the perfect, the utmost of beetles, the definition and the exemplar from which all beetles are, in some way derived — the universe's template of beetleness, in essence. So it is that the Beetle-kinden meditate and, at last, find in their minds an understanding of the Beetle dream (5), and from this understanding, this grand comprehension, flows the Art.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">Sometimes, in rare cases, this comprehension is felt. Beneficiaries have reported feeling an actual <em>presence</em>, of utter familial generosity, but scholars agree (more Apt than Inapt scholars agree, the Inapt are somewhat divided) that this is an artifact, a human hallucination born of incomplete understanding. Certainly a lot of Art manifests without any such conscious contact, which can lead to uncertainty about what Art a child has actually mastered, as much of it leaves no physical showing: the resilience of a Beetle-kinden, for example, is a difficult thing to test without risking a great deal if you're wrong.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">So do these Ideals exist? Is there some offshoot dimension where they prey on one another, enacting out mindless myth cycles of birth and feeding and violent death? Most would dismiss the idea, although certain philosophies, sects and cults almost, within the Inapt kinden have explored such ideas in the past, and perhaps some still do.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">And are their horse Ideals? Are their Ideal fish? Trees? "Of course not," grumbles the scholar, now thoroughly out of sorts with such foolish questions. "Who ever heard of a horse-kinden, after all?" And with that he turns the visitor out of doors, and goes to bed.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">(1) Quoted from the culmination of "The Insect God", my favourite Edward Gorey story.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">(2) Like all low-level academic explanations this one is useful, easy to grasp and essentially wrong.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">(3) Not that I'm dancing around material from book 2 or anything…</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">(4) Or at least, none have yet found themselves able to file a paper on it.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;">(5) And when Gregor Samsa wakes up and finds that he's a beetle, his family and friends are over the moon about it.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-GB"><span style="font-size: small; font-family: Times New Roman;"> </span></span></p>



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		<title>Wasp-kinden</title>
		<link>http://shadowsoftheapt.com/world/kinden/83</link>
		<comments>http://shadowsoftheapt.com/world/kinden/83#comments</comments>
		<pubDate>Fri, 27 Jun 2008 21:33:06 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Kinden]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[wasps]]></category>

		<guid isPermaLink="false">http://shadowsoftheapt.com/?p=83</guid>
		<description><![CDATA[ 


Art by David Mumford
 
The Wasp Empire is scarcely three generations old, born when the chieftain of one hill-tribe grew strong enough to force all his neighbours to bow the knee. The Wasps have flown from strength to strength since then, embracing new ways of war, conquering cities and enslaving entire kinden. Now, their war with [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://shadowsoftheapt.com/wp-content/uploads/2008/08/iwasp.jpg"><img class="alignnone size-medium wp-image-110" title="iwasp" src="http://shadowsoftheapt.com/wp-content/uploads/2008/08/iwasp.jpg" alt="Wasp-kinden" /></a> </p>
<p><a href="http://shadowsoftheapt.com/wp-content/uploads/2008/06/iwasp.jpg"></a></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal;"><span style="mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-GB;" lang="EN-GB"></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal;"><span style="mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-GB;" lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;">Art by David Mumford</span></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: center;"> </p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: center;"><span style="mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-GB;" lang="EN-GB"><span style="font-size: small;"><span style="font-family: Times New Roman;">The <strong style="mso-bidi-font-weight: normal;">Wasp</strong> Empire is scarcely three generations old, born when the chieftain of one hill-tribe grew strong enough to force all his neighbours to bow the knee. The Wasps have flown from strength to strength since then, embracing new ways of war, conquering cities and enslaving entire kinden. Now, their war with the Dragonfly Commonweal brought to a satisfactory conclusion, they look to the divided and unsuspecting Lowlands for their next campaign.</span></span></span></p>



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		<title>Dragonfly-kinden</title>
		<link>http://shadowsoftheapt.com/world/kinden/81</link>
		<comments>http://shadowsoftheapt.com/world/kinden/81#comments</comments>
		<pubDate>Fri, 27 Jun 2008 21:04:03 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Kinden]]></category>
		<category><![CDATA[dragonflies]]></category>
		<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://shadowsoftheapt.com/?p=81</guid>
		<description><![CDATA[
 
Art by David Mumford

The great and insular Dragonfly Commonweal, the Lowlands’ northern neighbour, has been declining for centuries, unable to sustain order and peace across its many principalities. A state already tottering has been left in ruins after a twelve-year campaign by the Wasp Empire. With thousands dead in battle and thousands more enslaved, still [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;"><a href="http://shadowsoftheapt.com/wp-content/uploads/2008/08/idragonflies.jpg"><img class="alignnone size-medium wp-image-111" title="idragonflies" src="http://shadowsoftheapt.com/wp-content/uploads/2008/08/idragonflies.jpg" alt="Dragonfly-kinden" /></a><a href="http://shadowsoftheapt.com/wp-content/uploads/2008/06/idragonflies.jpg"></a></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;"> </p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;">Art by David Mumford</p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;">
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;">The great and insular Dragonfly Commonweal, the Lowlands’ northern neighbour, has been declining for centuries, unable to sustain order and peace across its many principalities. A state already tottering has been left in ruins after a twelve-year campaign by the Wasp Empire. With thousands dead in battle and thousands more enslaved, still the Commonweal seems unable to muster any response, and individual princes, dissatisfied with the Monarch’s inaction, try to conduct their own war against the Empire by assisting the Lowlanders to the south.</p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt; line-height: normal; text-align: left;">
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		<title>The Ants Go Marching…</title>
		<link>http://shadowsoftheapt.com/blog/73</link>
		<comments>http://shadowsoftheapt.com/blog/73#comments</comments>
		<pubDate>Wed, 30 Apr 2008 21:44:00 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[ants]]></category>
		<category><![CDATA[dragonflies]]></category>
		<category><![CDATA[mantids]]></category>
		<category><![CDATA[wasps]]></category>

		<guid isPermaLink="false">http://shadowsoftheapt.local/blog/73</guid>
		<description><![CDATA[Warfare amongst the Kinden changed irrevocably after the Apt revolution, and continues to change with each artificer's refinements. In the Lowlands the main model for an army is that of the Ant-kinden, who hold themselves supreme in the field of mass combat ;(1). The other major Apt model is that of the Wasp Empire's many [...]]]></description>
			<content:encoded><![CDATA[<p>Warfare amongst the Kinden changed irrevocably after the Apt revolution, and continues to change with each artificer's refinements. In the Lowlands the main model for an army is that of the Ant-kinden, who hold themselves supreme in the field of mass combat ;(1). The other major Apt model is that of the Wasp Empire's many armies, which have developed to make best use of that kinden's particular Art. The Spiderlands and Commonweal can also muster large armed hosts when the need arises, frequently considerably larger than those of their Apt brethren, Here, then, is a brief guide to war amongst the insect-kinden, how it is carried out, and its future.</p>
<p><span style="text-decoration: underline;">The Inapt Model Army: the Warband and the Levy</span></p>
<p>The traditional Inapt or pre-revolutionary army, as might have been fielded by the Moth-kinden before they were cast down by their slaves, is one of inequality. A minority of the troops on the field were skilled warriors, of whom the bards sang and the poets spoke: their rivalries, duels and clashes were recorded in frankly interminable detail by the wordsmiths of the time, and, of the balance of the soldiers brought to battle, it was only said that these heroes slew their hundreds, and their tens of hundreds.</p>
<p>The chief warriors of the Moth armies were Mantis-kinden, and their way of making war has changed little over the centuries. They form their warbands, loose-knit mobs of however many warriors have the inclination. They move swiftly over the countryside, using all stealth despite their numbers, and they launch sudden ambushes or attacks against an unwary foe, or simply meet a wary one head on in the field. Each Mantis, with all the skill of his or her kind, fights alone: spear, claw, bow, rapier and the spines of their arms are their weapons. They carry the day by speed, ferocity and individual prowess. This is the old way, the way they would still practice, should anyone bring an army against them.</p>
<p>Whilst Mantids prefer to fight alone, in the old days their Moth masters often massively reinforced their (never great) numbers with slave levies: Ants and Beetles of the Lowlands were pressed into service and sent out to be butchered by the champions of the other side. The great hero-warriors were the deciding force in the battle, and the levy were merely used to slow them down.</p>
<p>Even before the revolution this was changing. Although Beetle-kinden were never destined to be great warriors, the Ants had a strong martial tradition, and they began to produce their own arms and armour in readiness for the wars their masters would commit them to: they developed tall shields and forged their own mail and practised their combat manoeuvres, honed to iron discipline by their mind-sharing Art. The reason the Moths prevailed so often against their Inapt rivals, back in the murky Dark Ages, was often that their levy was markedly superior to the rabble fielded by the other side. Although the Mantis-kinden remained unmatchable for individual skill, Moth strategists began to adapt their battle plans to take account of their slaves' greater efficiency. Ironically, of course, those same efficient slaves would soon after overthrow them and banish them to their high, dark places, spelling the end for their way of war.</p>
<p><span style="text-decoration: underline;">The Dragonfly Commonweal</span></p>
<p>The Commonweal armies still fight in much the same way: they have a small core of Dragonfly and Mantis warriors who are warriors from birth, lethally skilled with sword and bow, and they have a mass of levy who, in peacetime, are farmers, artisans and craftsmen and seldom if ever take up a weapon. These levy, mostly Grasshopper and Dragonfly peasants, are generally armed with long spears, mobbed together in great rambling units, and sent towards the enemy, whilst the noble warriors run and fly amongst and over them. This style of war was what the Commonwealers brought to the Twelve-year War when the Wasps invaded their lands. The Commonweal armies fielded were vast, frequently outnumbering the attackers ten to one or more, and it was the sheer size of these forces that stretched the war out so long, rather than their effectiveness.</p>
<p>The Commonweal has one other noteworthy tradition: it is one of the only armies in the known world to make much use of land-based cavalry. Whilst most armies have a small mounted scout force, Dragonfly nobles often charge into combat ahorse, en mass, casting spears and loosing arrows as they go. After the initial contact the ;riders would take to the air (2), leaving their ;well-trained mounts to fight on their own behalf whilst they ;shot arrows from above. ;Against surprised or ill-disciplined forces, such as the bandit armies they were formerly used to combating, such a solid strike is often a swift battle-winner, but if the enemy holds then disciplined infantry and archers, such as the Wasps possess in abundance, will generally prevail. Although some ancient Dark Age armies also used cavalry, and even chariots, their modern use as a significant part of an army is limited to the Commonweal.</p>
<p><span style="text-decoration: underline;">Spiderlands armies</span></p>
<p>Spider-kinden armies have developed in a very different direction, more varied and decidedly more haphazard. When a Spider-kinden Arista wishes to raise an army, she has at her own disposal those small forces, house guards and the like, that her family keeps on retainer. For substantial forces she must then ;turn to the various cities that her family has influence in, and to other families that owe her house favours or obligations. Raising an army is a matter of bitter argument, negotiation, promises and threats, and each city provides a different array of troops, depending on the kinden and the local speciality. A Spider-kinden host, therefore, is usually a patchwork affair, with a very broad variety of troop types, none of which are usually present in tactically useful quantities. Supplementing this the Spider Lady-Martial will raid the family coffers to hire mercenary bands, which are never in short supply in the Spiderlands. These can range from the dregs of banditry to highly-skilled elites.</p>
<p>As an example, a Spider-kinden host could see, side-by-side: Spider skirmishers with sword and bow, Scorpion line-breakers with two-handed swords and axes, Fire Ant engineers, Fly-kinden slingers, Ant mercenary heavy infantry, Dragonfly airborne archers, spider-mounted scout cavalry, dragonfly-mounted archers, Beetle-kinden mercenary artificers with armoured automotives and savage jungle Ant warriors along with several hundred of their insect friends.</p>
<p>Spider armies, although disorganised, slow to muster, slow to march, can grow to remarkable sizes, as once a war effort appears to be underway, formerly uncommited Aristoi houses will decide that they have no wish to be left out, and turn up with their own troops whether invited or not. Government and direction of these forces often devolves to a collection of equal-ranked representatives of the major houses present. Despite this picture of waste and inefficiency, Spiders are a clever people, and their history is replete with a number of ingenious strategists. Their ability to out-think and predict their opponents is notable.</p>
<p><span style="text-decoration: underline;">The New Model Army: Ant-kinden after the revolution</span></p>
<p>Ant-kinden are arguably the best soldiers in the world, standing shoulder to shoulder. Their linked minds allow entire armies to react as one, and give commanders the ability to deal with battlefield developments as they happen, with no possibility of lost news, misunderstood commands or confusion. As against this, Ants have two major problems. Firstly, they are not great innovators. They have been masters of war in the Lowlands for long enough that they have settled into particular ways of doing things. As a kinden they lack the imagination and curiosity that marks out their Beetle neighbours. Secondly, their style of fighting has developed to deal with other Ants. Ants fight Ants. Their city-states have been in mutual opposition since anyone can remember, and their warfare is designed to deal with the strengths of their own kind.</p>
<p>The great bulk of any Ant army is heavy infantry: tall shields that interlock easily, reinforced chainmail, short swords. Every third man or so will carry a crossbow, and frequently there will be a rank of crossbowmen behind the shields in a battle-line, shooting bolts into the faces of the enemy shieldmen. The Ant heavy infantryman is a versatile, capable and undaunted soldier, and for five centuries the Ants have done little but tweak their soldiers' armour and weapons.</p>
<p>As well as these great blocks of infantry, the Ants field scouts, either horsemen, Fly-kinden or simply lightly-armoured infantry. As Ant scouts can report back to their officers instantly, their reconnaissance is usually extremely good. There are also units of specialists equipped with more powerful weapons, such as nailbows or repeating crossbows, who can be concentrated or spread throughout the army at need. There are also a few other specially-trained units, such as engineers, extra heavy 'sentinel' infantry and animal-handlers.</p>
<p>Ants are also skilled artillerists, although their actual machines, catapults, ballistae and trebuchet with a few more recent leadshotters, are often not of the most recent designs. The Sarnesh army, which owing to its ties to the Beetles of Collegium is somewhat more advanced in its technology, has begun to field armoured automotives in battle, using them as weapon-carrying battering rams to break enemy lines.</p>
<p>Most Ant armies will also have a limited airborne contingent, usually of armed orthopters or similar flying machines, but to date Ant wars are ground wars, and airpower has played at most a minor role.</p>
<p><span style="text-decoration: underline;">The Black and Gold</span></p>
<p>Only a few Wasp-kinden manifest the mindlink that is universal amonst Ants, and so they have little of that iron and all-encompassing discipline. However, the Art gives Wasps two major advantages over their neighbours. Most of them can fly, and all of them can use the burning energy of their Sting, allowing them to strike at range. Wasp armies use very little heavy infantry, usually just a core of massively-armoured sentinels and some units of armoured spearmen that make up from a tenth to a fifth of the army proper (3). The vast majority of Wasp soldiers are the Light Airborne, warriors armed with sword, sting and sometimes spear, wearing a cuirass of banded mail, and fully capable of attacking from the air. The Wasp army is therefore extremely mobile, with large numbers of troops able to ignore enemy positions and fortifications and attack where they choose. This flexibility and speed is often sufficient in and of itself to defeat slower armies such as earthbound Ant-kinden and, although the Empire has sought out many more modern advantages, this remains their greatest strength.</p>
<p>The Wasps are also more versatile thinkers than Ant-kinden, and quick to make use of new tactics and toys. When they conquer a subject race they take anything of use and incorporate it, either as new technology for their artificers or as new auxillian troops for their armies. Wasps are very good at using the strengths of their slave races to their advantage, usually with very little care over those slaves’ longevity. From the efforts of their own artificers, and from the pillaged designs of their victims, they have also built up a respectable tally of artillery and a crude but efficient mechanised airforce of heliopters to supplement their Airborne and insect-riders.</p>
<p>As their Empire has developed, the Wasps have had to organise on a greater scale than the individual Ant city-state, and this has further strengthened their armies by allowing them to develop specialist corps that recruit and prosper independently of any given force: engineers, slavers, provisioners and merchants, all contribute to the war effort. Least spoken of, but perhaps most significant amongst these is the Rekef, the imperial secret service, whose outlander forces precede the army proper, weakening the enemy by sabotage, rumour-mongering, agitating and assassination.</p>
<p>(1) Their subsequent encounters with the Wasp Empire will put a fair-sized dent in this supremacy.</p>
<p>(2) No horsemen amongst the kinden have yet come up with the idea of stirrups. The Dragonflies use a "castled" saddle with high front and rear to absorb the shock of the charge, and stirrups would prevent them from taking to the air freely from horseback.</p>
<p>(3) Towards a fifth if the army is reinforced with auxillian heavies such as Ant or Bee-kinden warriors.</p>
<p>;</p>



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		<title>Meet the Neighbours Part 3 — Black and Gold</title>
		<link>http://shadowsoftheapt.com/blog/66</link>
		<comments>http://shadowsoftheapt.com/blog/66#comments</comments>
		<pubDate>Wed, 12 Mar 2008 20:34:00 +0000</pubDate>
		<dc:creator>Adrian Tchaikovsky</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[wasps]]></category>

		<guid isPermaLink="false">http://shadowsoftheapt.local/blog/66</guid>
		<description><![CDATA[It might seem that the Beetle-kinden of the Lowlands are the only force for progress and Aptitude in the world, set against a tapestry of the ignorant and the superstitious: Moths, Dragonflies, Mantids and Spiders being dragged kicking and screaming into the world post-revolution.
If only. The Lowlanders are not alone. Although the overthrow of the [...]]]></description>
			<content:encoded><![CDATA[<p>It might seem that the Beetle-kinden of the Lowlands are the only force for progress and Aptitude in the world, set against a tapestry of the ignorant and the superstitious: Moths, Dragonflies, Mantids and Spiders being dragged kicking and screaming into the world post-revolution.</p>
<p>If only. The Lowlanders are not alone. Although the overthrow of the Moths at Pathis was the first spark, the wildfire scorched across the world, to places far beyond the knowledge of the Beetles of newly-named Collegium.</p>
<p>Ant– and Bee-kinden also profited from the unsurging of technological advancement that the Beetles had begun, but their use of it was far less innovative, more limited. The Ants were and are a militaristic breed, but their main adversaries have always been other Ant-kinden city-states. Rather than leading to an evolutionary spiralling of war-machinery, it has resulted in something of a stagnation. Ants prefer to rely on what they know, and most of all on their mind-linking Art, and what advances they make are specifically geared towards assisting, or defeating, the way in which they themselves fight. Bee-kinden, of whom there are few in the Lowlands, are an industrious but retiring people, fond of making things simply but well, hard-working, and without that great drive that has thrown the Beetles into the forefront of history. The one Bee-kinden at greatness came a little over a century ago with the Vesseret protectorates, to the north and east of the Lowlands. However, before Vesseret could quite establish itself as the enlightened and powerful state it had the potential to be, it met another emergent kinden: the Wasps.</p>
<p>At the time of the revolution the Wasp-kinden lived as a collection of feuding tribes, each with its little hill fort and its list of grievances, brawling and stealing each others’ women. Their lands had been ungoverned for a long time, since their original, bloody-minded masters had been smashed by the Moth-kinden, and they had little to offer outsiders. Any visitor there, in the first few centuries after the Beetle uprising, would have found little potential in them.</p>
<p>However, the Wasps were Apt, and slowly they began adopting and adapting such pieces of the new engineering that came their way, and thinking about the wider world, until there came a man amongst them who decided to do something about it. This man was Alvric, and he spent his life making war on his own kind. Through brutal war, worse diplomacy, and strategic genius, and through his peddling of a grand vision for his people, before his death he was an Emperor with almost the entire Wasp nation beneath his banner, and that banner was black and gold. About then the Wasp-kinden met the emerging state of Vesseret and its protectorates, and the last years of Alvric’s reign were spent in bitter war with this, their first great enemy. Alvric lived to see the Bee-kinden of Vesseret brought down, their royal family butchered, their cities enslaved. He died a happy man.</p>
<p>His son was Alvdan, and he continued the good work. The Bees of Vesseret had been skilled artificers. The Wasps learned many things from them. Their conquests came rapidly, individual cities falling to them one by one, taken by military force or surrendering at the very threat. It was Alvdan who brought the Wasp armies to the very doorstep of the Lowlands, and who turned aside to inflict war of a scale never before seen on the Commonweal, a war that he saw six years of before he died, apparently of natural causes. His son, of the same name, is cut from the same cloth, and it is his writ that musters the immense armies of the Empire to march on the divided and unsuspecting Lowlands.</p>
<p>The threat posed by the Empire, the reason the Empire is a greater power than any seen before, is a composite of many things. First, they are Apt, and able to organise themselves to a greater degree than any of the old powers, such as their victims of the Commonweal. This also gives them an advantage of materiel: the army that invaded the lands of the Dragonflies had automotives, siege engines and even flying machines, and if these were crude by Collegium standards, they showed a rate of learning and progression from the Wasps’ barbaric beginnings that puts the Lowlanders to shame. Secondly, the Wasps can fly, and fly well, both in machines, on their beasts and by their Art. Their armies can move far more swiftly than the creeping Ants, and are vastly more mobile on the field. Finally, they have a ferocious drive and belief in their own destiny, their superiority to other kinden, that means that they are unlikely to ever say, ‘enough.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">The Empire is founded on that racial bigotry. Wasp men are warriors, all of them. Every one of them has a military rank and training, even the artificers, the merchants of their Consortium, the slavers and the spies. The menial work, not fit for warriors, is done by slaves. The Empire is a voracious consumer of slaves of all kinden.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p style="MARGIN: 0cm 0cm 0pt">  The hierarchy of the Empire is still developing. The Emperor’s authority is absolute, and he keeps a council of advisors, both Wasps and educated slaves, whose identity changes frequently. There is no obvious next step, and the swift progress of the Wasp state is leading to a byzantine political structure. In absolute truth the three generals of the Rekef, the Wasp secret service, are effectively next in authority, but their power is shadowy and only semi-official. Below them is a scrum composed of: Army generals, magnates of the Consortium and the heads of major families (1) (). These individuals jostle for the Emperor's attention, although not too much of it, as the summary execution of anyone save perhaps a Rekef general is always a possibility. Just below this level come the local governors, whose status varies with their city, and who are almost always colonels in the army, usually seconded out after a victorious military history.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">  Below this untidiness there is the rigid order of the army, rank by rank down to the least soldiers. Even the most wretched Wasp, the most wretched Wasp freeman, can hold his head high, however, for below them come the lesser kinden. Because of the manner of their joining the Empire, and their particular usefulness, Beetle and Fly-kinden are allowed a begrudged kind of second-class citizenship, just below a true Wasp and just above an Auxillian. Auxillians are conscript soldiers from the subject kinden, with ranks of their own. They pad out the Imperial armies, providing specialist troops or simple expendable footsoldiers.</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   After this there are slaves. Most are of the subject-kinden, but there are many Wasp-kinden slaves, mostly women but some men. Some are criminals, other debtors. Most slaves, however, are from the subject peoples. A subject kinden living in his or her own city is not quite a slave, merely a subject of the Empire. Beyond their cities, unless they have papers and are on proper Imperial business (or at least have a Wasp to speak for them), they are either slaves, or fair game for slavers. About half the foreign slaves in the Empire are taken from the subject cities, either criminals or simply to full quota. The other half are prisoners of war. Slaves are property without rights.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">Wasp debt laws are very strict, and can result in an insolvent debtor ending up in slavery along with his family. Some debtors have been known to sell their own wives and children to settle their debts.</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   A Beetle scholar in Helleron once remarked that the Wasps were an unnatural kinden who could not last: the example of their beasts was that the women were superior, and yet Wasp-kinden women are without rights, nothing more than the property of their menfolk. He died, that scholar, quite soon afterwards, and the Wasps have outlived him despite his predictions. (2)</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   Wasp men are expected to have families. A household will generally consist of a wife, whatever children she has borne, servants if the family is at least moderately well off, and slaves. Even poor Wasp families have enough slaves to do the menial work. More affluent families will have slave entertainers, tutors, clerks and the like. In many families the man of the house is away for the majority of the time, coming home only to look over his estate and impregnate his wife. Wasp men are frequently philanderers, and sleeping with slave girls is acceptable behaviour (although another man's wife is not). Women are expected to be faithful, of course. Women in the Empire are not slaves, but are considered the wards of either their father or their husband, own no property and have no say. However there are various ways in which a Wasp woman can be something more than just property.</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   Firstly, many women run their husband's estates while he is away, if there is no male Wasp available to do it (such as a brother or uncle of the absentee). As stewards they can effectively manage the finances and business of the property, and given that the man may be off for years at a time on campaign this allows a considerable degree of freedom.</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   Secondly, it sometimes happens that a woman is widowed without any man being in an obvious position to step in to take over her late husband's affairs. Usually her husband's family will do this, but if he has none then she remains holding the property in trust, until her (male) children are grown or until another suitor comes calling. Wasp law holds that no woman has a right to refuse a suit that her guardian accepts, but a propertied widow without a guardian is a difficult point in law. Usually it is the local governor that has final say, and if there are multiple suitors then a clever woman can wield considerable power backed by the inheritance that she controls.</p>
<p style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">   Thirdly, there is the rare Wasp who recognises kindred qualities in his mate. Some women act as their husband's agent in a kind of equal partnership, travelling, trading and acting as emissary on his behalf. This is rare, but represents the best chance a woman has to wield genuine influence. People will court her because of her husband's power.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt">  Finally, of course, there is simple unofficial influence. However patriarchal the society, men will not get it all their own way, and women will still have some sway over the men in their lives, whether their husbands or lovers. Women with powerful husbands become important figures simply because they have their husbands' ears, and so they can hold a kind of unofficial court, and receive all manner of gifts and favours. The women in the highest level of society are looking enviously at the Spiderlands, now, seeing how their counterparts live there, and a tradition of female intrigue is slowly arising within high-born Wasp culture.</p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"> </p>
<p style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1">(1)   not a nobility, as such — well-bred Wasps are referred to as being of "good family" and this manifests in power, wealth, property and influence. In another six or seven generations it will be an aristocracy, no doubt.</p>
<p style="MARGIN: 0cm 0cm 0pt 36pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1">(2)   Beetle-kinden tend to operate a slightly patriarchal bias: women must generally work harder to get as far as a man on the same footing. The scholar would have pointed out, had he lived long enough, that of their insects it is the male who tends to be larger and more prominent.</p>
<p> </p>



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